Publicaziuns Susch › Book List
Katalin Ladik: Ooooooooo-pus (out of stock)
Author(s)
Diedrich Diederichsen, Hendrik Folkerts, Irena Haiduk, Ana Janevski, Dieter Roelstraete, Pierre Bal-Blanc, Fanny Hauser, Emese Ku¨rti, Quinn Latimer, Bhavisha Panchia, Gloria Sutton, Sarah Johanna Theurer, Paolo Thorsen-Nagel, Mónica de la Torre
Publisher
Muzeum Susch, Skira Editore
Binding
Dutchbinding
Size
16.5 x 24cm
Pages No.
160
Language(s)
English
ISBN/ ISSN
885724853
Year
2023
Price (EUR)
35
Description
Katalin Ladik’s radical approach to concrete and visual poetry, sound, performance, and sculpture established her as a key figure in Central and Eastern European art.
Over the course of the 1960s, Ladik became an integral part of the literary and artistic avant-gardes of her birthplace Novi Sad (former Yugoslavia, now Serbia) as the only female artist in the male-dominated art world of the time. Her presence in Budapest from the early 1970s onward catalyzed a fully embodied turn towards visual art. Ladik increasingly merged visual poetry with experimental sound practice, positioning herself at the intersection of various established and new performance traditions, from theater and film to happenings, rituals, photoperformance, and television.
This illustrated monograph contextualizes Ladik’s wide-ranging practice within post-war international discourses on (lens-based) performance, concrete and visual poetry, score- and instruction-based work, feminist histories, as well as the motifs of ritual and folklore in recent art.
Renowned artists, critics, and scholars from different generations and backgrounds including Diedrich Diederichsen, Hendrik Folkerts, Irena Haiduk, Ana Janevski, and Dieter Roelstraete contribute longer-form essays, while various experts such as Pierre Bal-Blanc, Fanny Hauser, Emese Ku¨rti, Quinn Latimer, Bhavisha Panchia, Gloria Sutton, Sarah Johanna Theurer, Paolo Thorsen-Nagel, and Mónica de la Torre focus on a single work from Ladik’s oeuvre.
Katalin Ladik contributes a newly commissioned visual essay, highlighting particular images and source materials that have informed her foundational practice from the 1960s until the present day.
Wanda Czełkowska: Art is not Rest (out of stock)
Author(s)
Émilie Bouvard, Mathieu Copeland, David Crowley, June Geddes, Antonina Gugała, Amelia Jones, Charlotte Matter, Abigail Solomon-Godeau, Agnieszka Tarasiuk, Matylda Taszycka (editor) and Sarah Wilson.
Publisher
Muzeum Susch, Skira Editore
Binding
hardcover
Size
16.5 x 24 cm
Pages No.
189
Language(s)
English
ISBN/ ISSN
978-88-572-4995-7
Year
2023
Price (EUR)
39
Description
Wanda Czełkowska (1930-2021) was a key figure of the Polish avant-garde, whose oeuvre remained almost unnoticed by art history until recently. She started her career near the end of the 1950s in Kraków and played an important role in the development of conceptual art in Poland. As a member of the famous the Second Kraków Group she kept her independent voice and never fully committed to the artistic discourse and social life of the group. Those who knew her, often refer to her as someone who treads her own, separate path. Her œuvre was driven by a profound belief in the intelligence and authenticity of art, which led her beyond formal or political considerations: ‘art uncovers truths of the world’, she wrote in her notes. In this sense, the artist remained a worthy heir of avant-garde thought, never giving in to postmodern disillusion. Unlike her contemporaries, Alina Szapocznikow and Magdalena Abakanowicz, her work remains largely unknown outside of Poland.

In this fully illustrated monograph, a wide range of prominent authors from different generations and backgrounds contextualize Wanda Czełkowska’s practice within post-war international discourses such as abstract and conceptual art, feminist practices, human body and its relation to space. The list of authors includes Émilie Bouvard, Mathieu Copeland, David Crowley, June Geddes, Antonina Gugała, Amelia Jones, Charlotte Matter, Abigail Solomon-Godeau, Agnieszka Tarasiuk, Matylda Taszycka (editor) and Sarah Wilson.


The monograph is another position in the series initiated by the Muzeum Susch dedicated to the rediscovery of women artists who have been neglected by the main discourses and canons of art history.
Hannah Villiger: Amaze Me (out of stock)
Author(s)
Yasmin Afschar (co-editor), Emily Butler, Stefanie Manthey, Aïcha Revellat, Madeleine Schuppli (co-editor), Agnieszka Sosnowska, Wolfgang Ullrich, Rut Himmelsbach, Daniela Keiser, Claudia & Julia Müller, Katja Schenker, Jürg Stäuble, Beat Streuli
Publisher
Muzeum Susch, Skira Editore
Binding
hardcover
Size
16.5 x 24 cm
Pages No.
160
Language(s)
English
ISBN/ ISSN
978-88-572-4918-6
Year
2023
Price (EUR)
39
Description
Hannah Villiger (1951–1997) was an extraordinary voice in late twentieth-century contemporary art, but her oeuvre came to an abrupt end with her untimely death. She became known above all for her photographic work based on the body. This publication traces a path from the sculptures she created in the 1970s and her little-known drawings to the black-and-white photographs and works with the Polaroid camera that Villiger started making in the 1980s. These fragmentary close-ups of her own body were enlarged via an internegative and mounted on aluminium, either individually or assembled into space-related blocks. The results were radical pictorial inventions that made a unique contribution to the artistic exploration of the self and are still relevant today.

This volume presents the latest research on Hannah Villiger’s work, featuring contributions by renowned authors and curators: Yasmin Afschar (co-editor), Emily Butler, Stefanie Manthey, Aïcha Revellat, Madeleine Schuppli (co-editor), Agnieszka Sosnowska, Wolfgang Ullrich; as well as artists and contemporaries of Villiger, whose statements provide a personal and refined understanding of her work: Rut Himmelsbach, Daniela Keiser, Claudia & Julia Müller, Katja Schenker, Jürg Stäuble, Beat Streuli. Themes such as the female body, self-image and its perception by others, fluid identities, the fragmentation of the physical body as well as psychological and aesthetic aspects of the human skin are addressed.

This monograph is part of the series initiated by the Muzeum Susch and Skira editore dedicated to the rediscovery of women artists who have been neglected by the main discourses and canons of art history.
MS#4
Muzeum Susch magazine
Author(s)
Jana Baumann, Lisa Marie Bowler, Mayo Bucher, Jette Büchsenschütz, Kathleen Bühler, mayfield brooks, Cranky Bodies, Marta Dziewańska, Alex Fisher, Pierre-Henri Foulon, Monica Gillette, Bush Hartshorn, Anke Kempkes, Zofia Kwasieborska, Joanna Leśnierowska, Camilo Leyva, Lucas Ospina, Kaja Pawełek, Agnieszka Rayzacher, Chasper Schmidlin, Agnieszka Sosnowska, Abigail Winograd
Publisher
Art Stations Foundation CH/ Muzeum Susch
Binding
soft cover
Size
22,5 x 31,5 x 1,9 cm
Pages No.
159
Language(s)
English, German
ISBN/ ISSN
2673-7892
Year
2023
Price (EUR)
33
Description
MS#4 reader serves as a platform to open up, continue and develop creative dialogue with artists, curators and researchers who were present in the programme of Muzeum Susch in 2022.

This edition is very special and symbolic as it opens with a conversation with Natalia LL, the nestor of Polish feminist art and an icon of Polish contemporary art. She was an outstanding and original artist, who in her artistic practice touched upon issues of identity of women and women artists. The interview for MS#4 was the last given by her before she passed away in August 2022 at the age of eighty-five. In MS#4, we pay tribute to that pioneering artist and dedicate the cover of the magazine to her.

MS#4 Content list

— Grażyna Kulczyk: Editorial
— Natalia LL in conversation with Agnieszka Rayzacher

Architecture
— Chasper Schmidlin in conversation with Kaja Pawełek and Agnieszka Sosnowska ‘Between the White Cube and the Cave’
— Kaja Pawełek’ The Museum as Earthwork’
— Zofia Kwasieborska ‘Conversations with Rocks’

Exhibitions
— Discussion between Marta Dziewańska, Anke Kempkes, Camilo Leyva, Abigail Winograd: ‘Feliza Bursztyn: Welding Madness’
— Lucas Ospina; Feliza Bursztyn: ‘In a sexist country, pretend to be the mad one!’
— Jana Baumann ‘Heidi Bucher: Introduction’
— Discussion between Mayo Bucher, Kathleen Bühler, Pierre-Henri Foulon, Agnieszka Sosnowska: ‘Metamorphoses’
— Heidi Bucher: ‘Parquet-Dragonfly’
— Heidi Bucher: ‘Dictionary (On the Art of Heidi Bucher)’

ACZIUN: Performance Research Programme
— Joanna Leśnierowska ‘Hope Is a Muscle’
— Bush Hartshorn & Joanna Leśnierowska in conversation with Lisa Marie Bowler: ‘Art Doesn’t Need Support, Artists Do!’
— Monica Gillette ‘Yasmeen Godder’s Choreographic Approach to Practising Empathy’
— Jette Büchsenschütz ‘To Ensemble – to Assemble – to Assemblage: Cranky Bodies a/company in Ever More Extensive Interrelations’
— mayfield brooks ‘Whale Fall’

TEMPORARS: Residency Programme
— Alex Fisher ‘Changing States: On the Mobility of Meaning In and Amid Pristina’

Heidi Bucher. Metamorphoses
Author(s)
Jana Baumann, Jenni Sorkin
Publisher
Hatje Cantz Verlag
Binding
soft
Size
24 x 30 x 2,2 cm
Pages No.
278
Language(s)
English or German
ISBN/ ISSN
9783775747929
Year
2021
Price (EUR)
69,00
Description
Heidi Bucher's fascination with the interplay between art and fashion gave rise to wearable genderless body sculptures back in the early 1970s in California. The works celebrated her concept of sculpture as something between performance and object. Already at this time, she began to experiment with unusual materials such as rubber, which she applied to surfaces in liquid form and pulled off again with great physical force after it had solidified. With material transformations that were at once radical and sensual, she investigated human forms of existence

and their embedding in power structures. In doing so, she was always dedicated to a critical subversion of normative gender roles. This monograph presents Bucher's oeuvre from its beginnings in Zurich in the 1940s, to the experimental phase in New York and Los Angeles in the 1960s and 1970s and the main body of work with architectural and human skins, to the works she created in the last years of her life on Lanzarote.

The sculptor and performative artist HEIDI BUCHER (1926-1993) was raised in Switzerland, studied under Johannes Itten in Zurich, and enjoyed her initial successes in the late 1960s in New York and California. Her works can be found in numerous museums and private collections around the world.
Feliza Bursztyn: Welding Madness (out of stock)
Author(s)
Julia Buenaventura
Marta Dziewańska
Cecilia Fajardo-Hill
Camilo Leyva
Daniel Muzyczuk
Lucas Ospina
Sylvia Suárez
Gina McDaniel Tarver
Abigail Winograd
Lynn Zelevansky

Publisher
Muzeum Susch, Skira Editore
Binding
hardcover
Size
16.5 x 24 cm
Pages No.
245
Language(s)
English
ISBN/ ISSN
978-3-033-09114-6
Year
2022
Price (EUR)
35,00
Description
'Feliza Bursztyn: Welding Madness' is the first English language monograph dedicated to the oeuvre of Feliza Bursztyn. Seen as a great artist in Colombia, elsewhere Bursztyn has remained relatively unknown. Revealing her dynamic treatment of materials, the publication – edited by Marta Dziewańska and Abigail Winograd – looks at Bursztyn in the context of Columbia, but also more broadly: in the context of the feminist struggles of women artists in Latin America and beyond.

Her life and work is addressed by prominent writers, researchers and curators: Julia Buenaventura (professor at the Universidad de Los Andes and Pontificia Universidad Javeriana, Bogotá), Cecilia Fajardo-Hill (art historian and curator (along with Andrea Giunta) of Radical Women in Latin American Art 1960–1985, presented and broadly acclaimed in Latin America and the US), Camilo Leyva (artist, researcher and curator of a monographic show devoted to Bursztyn and presented at Museum of Modern Art in Bogotá in 2009), Daniel Muzyczuk (researcher and curator at Muzeum Sztuki in Łódź), Lucas Ospina (writer), Sylvia Suárez (curator and writer specialised in Colombian art), Gina McDaniel Tarver (professor of modern and contemporary art history, with a focus on Latin America, at Texas State University) and Lynn Zelevansky (American art historian, former curator at the painting and sculpture department at New York's Museum of Modern Art and former director of Carnegie Museum of Art).

The publication is a comprehensive survey on the pioneering art practice of Bursztyn and seeks to reflect on and animate new tendencies in research on Feliza Bursztyn and her vibrant body of work. It features reprints of source texts and rarely published archive materials.

The book is published with the generous support of the Institute for Studies on Latin American Art
(ISLAA)

Launch of the book: 9 April 2022
MS#3
Muzeum Susch magazine
Author(s)
Marco Scotini & Lusia Aspesi, Willi Dorner&Lisa Marie Bowler, Hanna Burkart, Nele Dechmann, Raphael Gygax, Joan Semmel & Phoebe Hoban, Anke Kempkes, Ariane Koch, Krzysztof Kościuczuk, Joanna Leśnierowska, Kaja Kusztra&Marie Matusz, Reba Maybury, Agnieszka Sosnowska, Jadwiga Zimpel & all the cherished artists to whom they dedicate their reflection.
Publisher
Art Stations Foundation CH/ Muzeum Susch
Binding
soft cover
Size
22,5 x 31,5 x 1,9 cm
Pages No.
143
Language(s)
English, German
ISBN/ ISSN
Year
2022
Price (EUR)
34,00
Description
The third issue of publication MS# with contributions of prominent authors and artists:

Marco Scotini & Lusia Aspesi, Willi Dorner&Lisa Marie Bowler, Hanna Burkart, Nele Dechmann, Raphael Gygax, Joan Semmel & Phoebe Hoban, Anke Kempkes, Ariane Koch, Krzysztof Kościuczuk, Joanna Leśnierowska, Kaja Kusztra&Marie Matusz, Reba Maybury, Agnieszka Sosnowska, Jadwiga Zimpel & all the cherished artists to whom they dedicate their reflection.


The MS# reader offers a more detailed view of what Muzeum Susch and Art Stations Foundation CH have to offer. This publication brings together carefully selected contributions, which highlight and further develop in written form the different aspects of our activities.

From the parallel lives, which exhibitions can live when mediated in print, to contributions made by our cherished artists who worked here in the residency programme, to a different presence of performance.

These contributions refer to our activities, but do not narrate them. They are narratives that don’t become obsolete in this rapidly shifting reality. Rather than offering a summary of the programme, we aimed to bring the artists to the foreground and cast their radical positions in sharp relief.
Laura Grisi. The Measuring of Time
Author(s)
Germano Celant, Krzysztof Kościuczuk, Laura Grisi, Marco Scotini, Martin Herbert, Valérie Da Costa
Publisher
JRP Editions, Muzeum Susch
Binding
hardcover
Size
17 x 24 cm
Pages No.
272
Language(s)
English
ISBN/ ISSN
978-3-03764-566-6
Year
2021
Price (EUR)
35,00
Description
Published on the occasion of her long-deserved retrospective organized by Muzeum Susch from June to December 2021, this book testifies to the singularity and innovative vision of Italian artist Laura Grisi within contemporary art history. Although her work has mostly been “reduced” to Italian Pop art—if not entirely overlooked—from the outset Grisi worked beyond that category, pertinently intercepting various lines of international artistic research (Conceptual art, Optical art and Kinetic-Programmed art, Minimal art) and applying them in her own original synthesis. Within an activity whose fundamental motif is the “journey”—from remote locations visited and documented, to the multiplicity of mediums used—Grisi embodies a stateless and nomadic female subject who defies the politics of identity, the univocity of representation, and the unidirectionality of time.

Born in Rhodes, Greece, in 1939, educated in Paris, and living between New York and Rome where she died in 2017, Grisi spent long periods of her life in Africa, South America, and Polynesia. This involvement with cultures beyond those of the Western world was destined to indelibly mark her own experiences in the search for a cosmic thinking or “science of the concrete” (Levi-Strauss). Despite making photography the original method of her research in the early 1960s, she subsequently moved to “Variable Paintings” in the mid-1960s (with sliding panels and neon tubes). By the end of the 1960s she was creating dynamic, environmental installations in which she artificially reproduced natural phenomena such as fog, wind, and rain, before ultimately arriving at a descriptive, verbal form and mathematical language as a conceptual tool in the 1970s and 1980s, in order to explore the mechanics of human perception and knowledge. Grisi’s entire body of work strives to take into account the breadth, multiplicity, imperceptibility, and infinite proliferation of all that is possible, but starts out from precise constraints, from paradoxical gaps, from linguistic and semiotic limitations, in accordance with an approach that is close to the Nouveau Roman, to Nouvelle Vague cinema, and the French Oulipo group.

During her lifetime, Laura Grisi exhibited at the Galleria dell’Ariete, Milan, in 1965; Leo Castelli Gallery, New York, from 1973; the Van Abbemuseum Museum, Eindhoven, in 1976; and Konrad Fischer Gallery, Düsseldorf, from 1978. Her work was included in 1966 at the XXXIII Biennale di Venezia and the group exhibition Italy New Tendencies at Gallerie Bonino, New York; in 1968 in Young Italians at the ICA, Boston, and the Jewish Musem, New York, and Teatro delle Mostre at Galleria La Tartaruga, Rome.

The first comprehensive monograph dedicated to Laura Grisi, this publication gathers together extensive documentation on Grisi’s multifaceted practice, research, and travel, focusing on the 1960s–1970s, with new essays by Muzeum Susch Artistic Director Krzysztof Kosciuczuk, Italian critic and curator Marco Scotini, French art historian Valérie Da Costa, writer and critic Martin Herbert, and Harvard University Professor of Visual and Environmental Studies Giuliana Bruno. It also includes the reprint of a seminal interview with Laura Grisi by Germano Celant realized in 1990.

Published with Muzeum Susch on the occasion of the retrospective exhibition The Measuring of Time, curated by Marco Scotini, June–December 2021
MS#2 (out of stock)
Muzeum Susch magazine
Author(s)
Philippe Axell, Sandra Bradvić, Stefan Burger, Kathleen Bühler, Guy Cools, Laurent Goldring, Anke Kempkes, Krzysztof Kościuczuk, Quinn Latimer, Joanna Leśnierowska, Charmaine Li, Jessica Morgan, Itziar Okariz, Mayra A. Rodriguez Castro, Eszter Salamon, Isabelle Schad and Carolee Schneemann and more.
Publisher
Art Stations Foundation CH/ Muzeum Susch
Binding
soft cover
Size
22,5 x 31,5 x 1,9 cm
Pages No.
143
Language(s)
English, German
ISBN/ ISSN
9-77263-789001-15
Year
2021
Price (EUR)
33,00
Description
The second issue of publication MS# with contributions of prominent authors and artists:
Philippe Axell, Sandra Bradvić, Stefan Burger, Kathleen Bühler, Guy Cools, Laurent Goldring, Anke Kempkes, Krzysztof Kościuczuk, Quinn Latimer, Joanna Leśnierowska, Charmaine Li, Jessica Morgan, Itziar Okariz, Mayra A. Rodriguez Castro, Eszter Salamon, Isabelle Schad and Carolee Schneemann.

The magazine MS# offers a more detailed view of what Muzeum Susch and Art Stations Foundation CH have to offer. This publication brings together carefully selected contributions, which highlight and further develop in written form the different aspects of our activities.

From the parallel lives, which exhibitions can live when mediated in print, to contributions made by our cherished artists who worked here in the residency programme, to a different presence of performance.

These contributions refer to our activities, but do not narrate them. They are narratives that don’t become obsolete in this rapidly shifting reality. Rather than offering a summary of the programme, we aimed to bring the artists to the foreground and cast their radical positions in sharp relief.
MS#1 (out of stock)
Muzeum Susch magazine
Author(s)
Grażyna Kulczyk, Krzysztof Kościuczuk, Gabrielle Schaad, Kasia Redzisz, Siri Hustvedt, Iris von Roten, Erna Rosenstein, Anna Nowicka, Diane Shooman, Dalija Acin Thelander, Sinisa Illic, Katarina Popovic, Bojan Dordev, Emily Smith, Quinn Latimer, Sibylle Berg, Raphaele Bidault-Waddington, Heather Pesanti
Publisher
Art Stations Foundation CH/ Muzeum Susch
Binding
soft
Size
22,5 x 31,5 x 1,9 cm
Pages No.
160
Language(s)
English, German
ISBN/ ISSN
9-77263-789001-05
Year
2020
Price (EUR)
33,00
Description
Grażyna Kulczyk Editorial
Grażyna Kulczyk in conversation with / im Gespräch mit Krzysztof Kościuczuk
Gabrielle Schaad Architecture as Exhibition Well-tuned Space/ Architektur als Ausstellung – Gestimmter Raum

EXHIBITIONS/ AUSTELLUNGEN
Kasia Redzisz in conversation with / im Gespräch mit Alison M. Gingeras
Siri Hustvedt A Woman Looking at Men Looking at Women / Eine Frau schaut auf Männer, die auf Frauen schauen
Iris von Roten Accompanying Music to the Following/ Begleitmusik zur Anhängselschaft
Erna Rosenstein The Old Lady / Grossmutter
Emma Kunz You Need a Weather Woman to Know, Which Way the Wind Blows/ Man braucht eine Wetterfrau, um zu wissen, in welche Richtung der Wind bläst

ACZIUN
Anna Nowicka Skyscope / Himmelchen
Diane Shooman Art and the Perceptive Body/ Die Kunst und der wahrnehmende Körper
Bojan Đorđev On Exercise for Choreography of Attention “Point of No Return”/ Über Exercise for Choreography of Attention “Point of No Return”

TEMPORARS
Emily Smith Excerpts from “I, Structure” / Auszüge aus „Ich, Strruktur“

INSTITUTO
Quinn Latimer Women in the Arts and Leadership Symposia/ Die Symposienreihe Women in the Arts and Leadership

DISPUTAZIUNS
Sybille Berg Wonderland Ave.
Raphaële Bidault-Waddington Toward Alien Cosmologies: AI and the Human Frontier/ Hin zu einer Kosmologie des Fremden: KI und die Grenze des Menschlichen

COLLECTION/ SAMMLUNG
Heather Pesanti about Monica Sosnowska A Staircase Without Stairs/ Ein Treppenhaus ohne Treppe

Riet & Maria Campell
Author(s)
edited by Duri Bezzola
Publisher
Duri Bezzola
Binding
hardcover
Size
29,8 x 21,3 x 1,4 cm
Pages No.
162
Language(s)
Romansh, German
ISBN/ ISSN
978-3-9525338-2-6
Year
2021
Price (EUR)
41,00
Description
"Live as you will wish you had lived when you die". Riet Campell (1866-1951) tells us episodes from his eventful life, of his youth in Susch, of his training as a beer brewer in Munich, of his work in the famous brewery in Susch - in today's Muzeum. In 1892 he expanded into the Upper Engadine and built a second flourishing brewery in Celerina. As a pioneer, he collected many objects of home culture, he even bought up entire historic parlours and then founded the Muse-um Engiadinais in St. Moritz in 1906. In his family and that of his wife Maria (1871-1929), a deep attachment to the valley went hand in hand with cosmopolitanism and great social elasticity.

For the first time, the autobiography of this 1939 pioneer is published in Rhaeto-Romanic (original) and German (translation 2020), supplemented by some reminiscences of his wife. Attached explanations and notes by the editor, as well as illustrations and enclosed essays, provide insight into an eventful era and place the events of the time in their landscape, historical, social and family context.
From Poland with Love. Letters to Harald Szeemann
Author(s)
Anda Rottenberg
Publisher
Scheidegger and Spiess, In collaboration with Muzeum Susch / Art Stations Foundation CH
Binding
hard
Size
17 x 24 x 1,8 cm
Pages No.
200
Language(s)
English
ISBN/ ISSN
978-38-588184-2-3
Year
2019
Price (EUR)
32,00
Description
Over twelve months, between May 2017 and May 2018, Polish curator and critic Anda Rottenberg wrote a series of fictional letters to the legendary curator and writer Harald Szeemann (1933–2005). In them, she reflects on the art and nature of curation throughout art history. Questioning the position of female artists in both Eastern and Western Europe, Rottenberg encourages new individual readings of them. Her letters display distinctive rhetoric that raises questions and challenges judgments to amalgamate individual opinion and objective knowledge into a personal history.
Roman Opałka. Oktogon / 1 - ∞
Author(s)
Roman Opałka
Publisher
Art Stations Foundation
Binding
soft, in plexi case
Size
30,3 x 23,8 x 2,5 cm
Pages No.
256
Language(s)
English, Polish, French
ISBN/ ISSN
978-83-927804-1-0
Year
2010
Price (EUR)
43,00
Description
The Jubilee Album Roman Opałka, Oktogon / 1 - ∞ is the first full monograph by Roman Opałka in Poland, richly illustrated, with a carefully prepared informative part.
Traktat o obrazie. A Trease on the Visual Image
Author(s)
Zbigniew Rybczyński
Publisher
Art Stations Foundation
Binding
soft, with CD attached
Size
21,2 x 17 x 2,3 cm
Pages No.
259
Language(s)
English, Polish
ISBN/ ISSN
978-83-927804-0-3
Year
2009
Price (EUR)
23,00
Description
The “Treatise on the Visual Image” – a catalogue accompanying Zbigniew Rybczyński’s monographic exhibition, thoroughly explores the fundamentals and the condition of the image in the age of “digital reproduction”. Rybczyński, an Oscar awardee and acclaimed video artist, starts his analysis of visuality with Renaissance linear perspective and goes as far as exploring the latest developments in VR – the “Treatise…” includes technical notes, sketches and documents allowing for a deeper look into the creative process behind many of Rybczyński’s video works. The show’s documentation included in the tome, presents a seemingly effortless combination of insights and visual material coming from art, philosophy and science and presents Rybczyński as both a skilled craftsman, tireless researcher and perceptive theoretician. Additionally, the book contains comments by new media art theorists Piotr Krajewski and Piotr Zawojski.
Anrzej Wróblewski, René Daniëls, Luc Tuymans, DE.FI.CIEN.CY
Author(s)
Ulrich Loock
Publisher
Distanz Publishing, Art Stations Foundation
Binding
hard
Size
20,3 x 26,4 x 2,3 cm
Pages No.
216
Language(s)
English
ISBN/ ISSN
978-39-547612-1-0
Year
2015
Price (EUR)
22,00
Description
“DE.FI.CIEN.CY”, edited by the acclaimed curator Ulrich Loock, accompanied the exhibition by the same title that took place in Art Stations Foundation in Poznań in 2015. This groundbreaking show presented drawings, gouaches and watercolours by a trio of internationally respected painters. René Daniëls, Luc Tuymans and Andrzej Wróblewski, departing from their individual historical, geographical and ideological contexts, all investigated the limits of the visual representation and experimented with the pictorial potential of abstract imagery. In addition to numerous color reproductions of the exhibited works, the book contains an insightful interview with Luc Tuymans conducted by the renowned Polish art historian Anda Rottenberg and an essay by Loock, disclosing his thoughts behind the exhibition’s concept and his reasons for juxtaposing these very distinct creative practices. The readers themselves, following the clues provided by the curator, can observe the formal contrasts between the works and detect the themes that all three artists shared interest in.
Frofenia. Leszek Knaflewski. Drawings 1983-1990
Author(s)
Leszek Knaflewski, Waldemar Baraniewski, Michał Woliński, Honza Zamojski
Publisher
Mundin
Binding
hard, in grey case, limited version signed by artist
Size
22 x 30 x 2 cm
Pages No.
191
Language(s)
English
ISBN/ ISSN
978-83-64353-02-4
Year
2013
Price (EUR)
33,00
Description
Leszek Knaflewski (1960 – 2014) remains one of Poland’s most interesting and influential artistic personas. His works do not tell simple stories, nor they are easy subjects of interpretation – instead, they succeed in generating a vast array of associations, stir the viewers’ imagination and tend to stay in the one’s memory. “Frofenia” presents an impressive collection of 77 Knaflewski’s monochrome drawings, conceived during the country’s occupation by the Soviets. The tome draws its title from the artist’s own, imaginary vocabulary, referring to a sphere in both language and visuality, where everything is possible and no rules apply. The book is inhabited by curious black-and-white human-animal hybrids, nightmarish landscapes and disturbing examples of fauna and flora, all portrayed in an expressive and energetic style. Knaflewski’s bestiary ought to be looked at as a set of ambiguous metaphors – the artist allows the readers to look behind the Iron Curtain and experience the tragic aura of one of Poland’s darkest chapters.
Stary Browar od idei do ideału
Stary Browar From Idea to Ideal
Author(s)
Wojciech Delikta, Igor Gałązkiewicz, Szymon Piotr Kubiak, Ewelina Kustra, Sebastian Kustra, Jagna Lewandowska, Wojciech Mierowski
Publisher
Kustra Group
Binding
hard
Size
20,6 x 27,1 x 2,5 cm
Pages No.
205
Language(s)
English, Polish
ISBN/ ISSN
978-83-952403-0-0
Year
2019
Price (EUR)
29,00
Description
A project of a book published for the 15th anniversary of the Stary Browar in Poznań, which is an art and trade centre. Stary Browar is shown from various perspectives - architectural, business and art. It introduces the idea of ​​50/50, which has accompanied the creators of this place from the very beginning, consisting of essays and stories from eminent specialists, as well as an extensive conversation with Grażyna Kulczyk. The unique content is complemented by two different series of photos that originally document the space of the Brewery.
Pavilionesque/ Art & Theater Magazine No. 1 (09/2015)
violet cover
Author(s)
Evgeny Anufiev, Piotr Błachut, Bread and Puppet, Anna Bujnowska, Paul Elliman, Paweł Dudziak, Bruno Fernandes, Henryk Jurkowski, Tadeusz Kantor, Eustachy Kossakowski, Jerzy Kolecki, Ewa Kuryluk, Jacek Marcinkowski, Steven Millhauser, New Theather, Paulina Ołowska, Kasia Redzisz, Mathilde Rosier, Zofia Rydet, Yotsuya Simon, Teatr Guliwer, TJ Wilcox, Richard Wilson, Kiki Uhart, Joanna Zielińska
Publisher
Centre for the Documentation of the Art. Of Tadeusz Kantor Cricoteka
Binding
soft (violet color cover)
Size
27,7 x 40 x 0,6 cm
Pages No.
108
Language(s)
English
ISBN/ ISSN
978-83-61213-53-6
Year
2015
Price (EUR)
23,00
Description
Paulina Ołowska is one the best-known contemporary artists, whose monographic exhibitions were shown in the most prestigious institutions around the world, including TATE Modern (London), Ludwig Forum (Aachen), Stedelijk Museum (Amsterdam) and Kunsthalle Basel. Working both in her native Poland and internationally, Ołowska borrows from Eastern European high and low culture to create a new, fascinating iconography of powerful and fearless women. Ołowska tirelessly pursues the goal of rewriting the canons of art history – this includes questioning hierarchies of genres, techniques and most importantly, gender. The methods used to complete this ambitious (and seemingly endless) endeavour are varied: in addition to painting – the artist’s favoured medium - Ołowska has been active as an editor, curator, fashion designer, art historian and conservator. “Pavilionesque” – a magazine published with Mundin and Cricoteka – Centre for the Documentation of the Art of Tadeusz Kantor – is a crucial element to Ołowska’s historiographical project, elegantly showcasing the artist’s modus operandi. The first issue of “Pavilionesque” is dedicated to puppet theatre – a medium often denied gravitas, frequently reduced to unrefined amusement and trivial decoration. Ołowska’s perception of this genre is thoroughly different – together with invited creatives, writers and visual artists, she allows the readers to discover subversive, mysterious and uncanny faces of the world of marionettes.
Tadeusz Kantor, Piotr Uklański. The Year We Made Contact
catalogue to the exhibition
Author(s)
Kantor, Tadeusz (1915-1990), Uklański, Piotr (1968- ) Współtwórcy : Oszmiańska, Halina. Redakcja. Turski, Marcin. Tłumaczenie: Art Station Foundation
Publisher
Art Stations Foundation
Binding
soft
Size
13,7 x 19,4 x 0,3 cm
Pages No.
44
Language(s)
English, Polish
ISBN/ ISSN
978-83-927804-3-4
Year
2011
Price (EUR)
12,50
Description
Tadeusz Kantor & Piotr Uklański "The Year We Made Contact". Catalogue for the exhibition from 2011. The exhibition is a parallel show of two artistic attitudes and at the same time two artists representing different generations, experiences and interests. The latest, monumental work of Piotr Uklański was juxtaposed with paintings and theatrical objects of Tadeusz Kantor. The purpose of combining these works is to create conditions for the interaction of objects and the meaning and iconographic transformation proposed by Uklański.
Buckminster Fuller Synergetic Artist, Loris Gréaud Shelter
catalogue to the exhibition
Author(s)
Publisher
Art Stations Foundation
Binding
soft
Size
21 x 14,9 x 0,5 cm
Pages No.
49
Language(s)
English, Polish
ISBN/ ISSN
978-83-927804-0-3
Year
2010
Price (EUR)
15,00
Description
Catalogue to the exhibition in Stary Browar in Poznan from 2010. Combining the exhibition of installations and video works by French artist Loris Greaud (born 1979) with the presentation of inventions by American scientist R. Buckminster Fuller (1895‐1983), we are coming up with a truly multifaceted project. This is another of our paired individual exhibitions, where juxtaposing the artists of different generations allows us to look at a given problem from a broader perspective and interpret it to form different angles.
Izabella Gustowska: New York and a girl
Izabella Gustowska: Nowy Jork i dziewczyna
Author(s)
Agata Rosochacka (Publishing Editor)
Publisher
Biblioteka Czasu Kultury
Binding
hardcover
Size
22 x 28,7 x 2,5 cm
Pages No.
248
Language(s)
English, Polish
ISBN/ ISSN
978-83-935-637-7-7; 978-83-655778-59-4
Year
2017
Price (EUR)
18,00
Description
SPIS TREŚCI/ CONTENT:
Fantomowa tożsamość Izy G. | The Phantom Identity of Iza G.
Piotr Krajewski
„Przypadki” sztuki między malarstwem a filmem | The “Cases” of Art Between Painting and Film
Filip Lipiński
Hopper/Gustowska. Alternatywna historia sztuki kobiet | Hopper/Gustowska. An Alternative History of Women’s Art
Agata Jakubowska
Nocny lot do Nowego Jorku | A Night Flight to New York
Agnieszka Gajewska
Iza G. – nomadka? | Iza G. – A Nomad?
Małgorzata Radkiewicz
Miałam w głowie obrazy… | Pictures in My Head…
Z Izabellą Gustowską rozmawia Marek Wasilewski | An Interview with Izabela Gustowska by Marek Wasilewski
Biogramy | Biographical notes
Opis reprodukowanych prac | Description of work reproductions
Podziękowania | Special thanks



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