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 Edita Schubert: Profusion

edited by 

David Crowley



Authors

Lina Džuverović, Meghan Forbes, Maja Fowkes, Marko Ilić, Klara Kemp-Welch, Leonida Kovač, Marika Kuźmicz, Bojana Pejić

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Description

This book is the first major study of Edita Schubert's art published outside Croatia. Edita Schubert's body of work is strikingly diverse, spanning pioneering explorations of natural ecology in the 1970s to bold paintings in the spirit of the transavantgarde in the 1980s. She also created performance art on the streets of Dubrovnik and created installations that invited viewers into her world. Her later works—self-portraits of various kinds—offer profound meditations on memory, identity, and mortality. Working in her studio in the Institute of Anatomy in Zagreb, she once compared her art with the practice of dissection, a precise and purposeful science which reveals the hidden territories of the human body. Often her subject was herself. The breadth of her artistic output seems to anticipate the “post-medium” condition of contemporary art. Yet when viewed together, strong lines of connection and continuity emerge, revealing a deeply intimate and single-minded vision of art.

Edita Schubert (1947–2001) was an exceptionally productive artist who was active from the 1970s until her early death in 2001. She was an important figure in Croatian and Yugoslav art and exhibited at the Venice Biennale and the Sydney Biennale, as well as in galleries in Austria, the USA, and Yugoslavia. Nevertheless, her art remains relatively little known to this day.